I
remember reading Annie Lamott’s Operating Instructions when my older son was about 18 months old. It was the
first time another mother revealed a truth I had been living since
becoming one myself. Annie would write one day that her son was
the best baby in the world and she loved him so much she could hardly
stand it and then the next that she regretted ever becoming a mother.
Recognizing myself in her words was liberating, validating the wild
and wonderful range of emotions and experiences that came gratis
with the diapers, nursing bras and stretch marks. Operating
Instructions became an essential part of every baby shower
gift I gave after that and I would tell the new mom-to-be that this
book spoke the truth in a way no other parenting book would.
After reading The
Essential Hip Mama edited by Ariel
Gore from essays published by her zine Hip Mama, I’m
thinking it may replace Lamott’s book in those pastel colored
gift bags. The essays reveal a range of experiences, challenges,
and realities gleaned from more than a decade of moms (and dads)
speaking their truth about what it means to be a parent in today’s
world.
Gore started Hip
Mama more than a decade ago almost by accident. A 23-year old
single mother struggling to finish college, keep herself and her
child fed and clothed, and maintain her grade point average on three
and a half hours of sleep a night, Gore proposed the first issue
of Hip Mama as her senior project— an act of desperation while
she planned to land a job as a journalist and become a member of
the middle class.
What began by seeming
chance quickly gained a following as Gore focused on the reality
of parenting— the chaos, the struggles, the lack of sleep,
the incredible joy— without what she calls the glossy “and
then he smiled at me and it made it all worthwhile” endings
she found in mainstream magazines. She also decided to focus on
the reality of who mothers are— the single mother, the teenage
mother, the mother trying desperately to make ends meet when the
food stamps run out before the end of the month shared equal billing
with the middle class mom, the artist mom trying to carve out creative
time that does not involve finger-paint, and all the moms who feel
that no matter what they do they will, in some way, irreparably
damage their children by loving them too much.
In the introduction to
her book, Gore says that at the time she started Hip Mama,
I had been a
teen mom, a welfare mom, a single mom, a college mom. I was young,
poor, urban. The plan from the start was that the zine would be
reader-written, so I expected to receive essay submissions from
other young and poor moms. I though the zine would attract readers
and writers like myself. But I discovered, almost immediately,
that telling the truth about our experiences as mothers doesn’t
necessarily attract others like us – it attracts people
who want to tell their truths about motherhood, no matter how
different those experiences may be. The readers of Hip Mama are
as diverse a group as the writers: There are teen moms and fiftysomething
moms, single moms and married mom, straight moms and queer moms,
college moms and rural moms, midwives and bank tellers.
Gore is also upfront
about the fact that Hip Mama has a political bent and counts
few conservatives among its subscribers. Taking on issues of child
support, family leave acts, domestic violence, and public education
is about taking on issues that affect our ability to raise our children
and affect our daily lives. “They are political issues,”
Gore writes, “but they begin and end in our living room and
nurseries.”
The Essential Hip
Mama divides the essays into seven sections ranging from “Nobody
Said it Would Be Like This” to “Looking for Love”
to “Faith and Irreverence: UnVirgin Births.” Peppered
throughout the book are Gore’s “Yo Mama’s Daybook”—
a month of one-liners such as “Try to dye pink hair brown
for family court. It turns green!” “Stay up all night
with high school boyfriend, keep forgetting I’m not 16.”—
letters from readers, cartoons, and newsflashes that offer sometimes
pithy (remember the “gay” Teletubby issue?), sometimes
irreverent, and sometimes down-right aggravating news stories that
have hit the wires during the past decade of Hip Mama’s
existence.
The true stars of the
book, though, are the essays. This is not parenting advice, this
is the collective wisdom from the front lines of mamahood, and right
from the beginning, Gore’s contributors lay it on the line.
The collection’s second essay, Christine Malcolm’s “You’re
the Stupidest Mommy in the World, and I Hate You!” reveals
this touching family moment. In the midst of cuddling with her three
children, her oldest looks at her body and says “Ladies have
REALLY fat butts!” For this I had children, Malcolm asks herself,
but she says it is the truth, though not all of it. Her “stretched-out,
flubbery body is amazing. It bears the record of the work you have
done as a mother, the love you have let pass through you. It is
real. It is sexy.”
There are other such
luscious truths contained in this book, such as “I Don’t
Wanna Be A Mother Anymore!” by Opal Palmer Adisa, who’s
essay takes on the dark myth that motherhood somehow transforms
us into Mother Teresa with all her patience and wisdom. “There
is nothing worse than sending my kids to bed and not being able
to find a dark spot to cry in because I am aching so much from observing
how difficult it must be to live with me,” Adisa writes, adding
that telling her children how much she loves them does not make
up for the fact that she often feels inadequate to the task of raising
them, that she feels she is failing miserably, and resents the passion
and depth of feeling they pull from her every single day.
In Kristin Rowe-Finkbeiner’s
essay “What This Mama Wants,” she reveals that, though
she got her belly pierced for her 30th birthday, what she really
wants for her 31st birthday is a kitchen mixer, and wonders how
such a symbol of 50’s suburbia can be transformed into an
anti-conformity device or even if it is necessary that it do so.
As Gore says in her introduction,
Hip Mama takes a political stance on parenting issues,
and she includes several essays in this vein, essays that pack a
powerful punch. “Abortion After Motherhood” by Julia
Bowles reveals the truth that 49 percent of all women who have abortions
have also had at least one live birth and that 8-1/2 percent have
three or more children. In the clinic waiting room, Bowles finds
other moms, like herself, with families at home, dinners to cook,
babysitters to check on, Christmas shopping to finish. Her investigation
of abortion data leads to a black hole of motherhood as a contributing
factor in a woman’s decision to have an abortion. The Alan
Gutmacher Institute, she writes, which has conducted the only surveys
that ask a woman why she has chosen to have an abortion leaves out
mothers, identifying three common reasons: that a baby would interfere
with work, school or other responsibilities; that they cannot afford
to have a child; and that a baby would cause problems within a relationship
with their husband or partner. Bowles says that although the statistics
do not reveal if existing children factor into the decision to have
an abortion, “Realistically, these ‘other responsibilities’
must include taking care of a family. Clearly the reasons some women
‘cannot afford to have a child’ is because they already
have children, and perhaps part of the reason having a baby would
‘cause problems in their relationship’ is because their
family is large enough already.’” Her essay becomes
all the more relevant in the current political climate when the
right to choose may no longer be a choice, and echoes the “what
if” question every woman of child-bearing age has needed to
consider at some time in her life.
I will admit, I picked
up a copy of Hip Mama many years ago at a newsstand that
specialized in “obscure” publications. Looking for places
to query for articles on parenting, I could not find myself on the
pages of Hip Mama and put the zine aside. Flash forward
several years. A middle class mother, married, with two sons—
a soccer mom without the mini-van or the SUV (I drive a station
wagon), my fortieth birthday is looming near the beginning of 2005.
What Gore and her reader/writers talk about in their essays hits
home in a way that connects powerfully and directly. It’s
like sitting around with a bunch of girlfriends and sharing the
stories that make us who we are— mothers and human.
mmo : November
2004 |