It's
8:00 AM and I am doing yoga upstairs.
Just as I am moving into the balance poses, there is a knock, and
my four-year-old daughter, Celeste, says, "Mommy? There's someone
at the door."
We clomp downstairs together, where, sure enough, Eric paces on
our front stoop. Sighing internally, I open the door. Eric smiles
anxiously. "Can I mow your yard today?" he asks. "I
really need the money."
Eric looks like he's in his early forties. He must have already
been up a long time, because he doesn't live in this neighborhood,
and is often without a car or a working lawnmower. By 8 am he is
already here, looking like he's been killing time until it's late
enough to ring doorbells on our block.
I should say that I don't particularly believe in lawn mowing,
and that, on moving to this house, I insisted we buy a push mower
to run over the yard once or twice a year if necessary. And I don't
particularly like paying Eric to run a loud power mower over our
sparse quarter acre. Frankly, I think power mowers should be banned
in favor of tall grass and quiet neighborhoods. But I invariably
say yes, and pay Eric to mow our grass. He seems desperate, and
I imagine that, in comparison, it's nothing to us to give him $20
for the work and endure the ten minutes of noise.
I close the door and consider whether it's worth trying to finish
my yoga this morning. "Mommy," says Celeste. "I'm
scaredy of Eric"
"Why are you scared of Eric, sweetie? He mows our grass. Last
year he painted our house purple."
"Did Eric go to jail because he is a mean person?"
Eric disappeared for a while last winter. No offers to shovel a
quarter inch of sleet, no requests to borrow our shovel for the
afternoon. My husband, Ben, guessed that he was in jail. This happened
around the exact same time Celeste was becoming intrigued by the
idea of jail. Lyle the Crocodile gets forcibly interned behind bars
in the city zoo; Lyle's mother, Felicity, winds up in jail because
she misunderstands and shoplifts a bunch of perfume samples in a
department store. Jail is a scary but thrilling place, and the denizens
of it are both intriguing and threatening to her.
"No, sweetie. If Eric went to jail, it was probably because
he is poor. Poor people go to jail a lot, not because they're mean,
but because they don't have things. Sometimes they don't have enough
food, or warm clothes, and they get in trouble trying to get those
things." I skip over Ben's other theories, about Eric's not-so-distant
past as a substance abuser. And I don't, though in retrospect maybe
I should have, go into the checkered history of our city police
where people of color are concerned.
"Well, I don't like him."
The truth of it is that I don't like Eric either. I don't like
his dependence and manipulation. I don't like having my grass mowed
because I know he needs the money. I hate our relationship and everything
it represents: the social inequality that my family benefits from
and does not fix. My not liking him is petty, given the long history
of injustice our relationship represents. But my guess is that as
long as there has been this towering inequality, it's probably felt
pretty strange on both sides.
There is a certain smugness among the liberal white folks in our
urban, mixed-race neighborhood. The Old West End is one of the few
integrated neighborhoods in Toledo, Ohio, a small, quite segregated
Midwestern city. White people around town invariably act scared
of this neighborhood and predict smugly: "you'll leave that
neighborhood when you have kids."
Those of us who stay -- and there are more and more white, middle
class families drawn by the big old Victorian houses and feeling
of community here -- share a sense that we are cooler than that.
Never mind the fact that it is common to hear these same people
speak of a block that is more Black than white as "that dangerous
block." Never mind that most of us keep our kids out of the
local public schools, which are 99 percent Black and, officially,
"in crisis". We have negotiated a truce with American
apartheid, and we feel self-congratulatory about it. This makes
Eric's presence an awkward reminder.
Like many kids in the Old West End, Celeste started school last
fall at a preschool outside the neighborhood, at a slightly integrated,
private Montessori school. The school has about ten percent children
of color. There is a little scholarship money available, but not
enough. No way would Celeste wind up in a class with Eric's kids
there.
Celeste took to school easily and well. The school extends from
preschool through the eighth grade. Ben and I talked about how we
could afford to keep her there for the duration.
I always thought I'd send my kids to public schools. I went to
them, although that was in a lily-white, upper-middle class suburb.
I felt confined by that place, and I dreamed of an integrated urban
neighborhood, where my kids would go to school with lots of different
kids, have friends of many different backgrounds. Now I lived in
that neighborhood. And here I was, keeping my child out of public
school.
That same fall, Celeste started talking about "brown people."
At first, it was just one of her backseat taxonomies, a way for
her to sort the world into categories that, she was busily discovering,
matter a great deal to adults. Like the time the previous summer
I heard her whispering to herself, sitting at breakfast at her grandfather's
house in Texas. I leaned over, to hear her intoning quietly: "Papa
Ted has a penis. Aunt Grace has a 'gina. Uncle Frank has a penis.
Mommy and I have 'ginas." Like she was practicing the differences,
to make sure she got them right.
Celeste's interest in skin color started off the same way. She
started to talk about people we know, and what color their skin
is. "Lucy is brown, and her mommy is brown, but her daddy is
white. You and daddy and I are white. Uncle Mike is brown, but Auntie
Lisa is white." As I listened to her sorting the world into
racial categories, I thought about Maya Angelou talking about how
she realized one day that a white friend, stymied by the power of
a world divided into "black" and "white" had
no words for the actual color of Angelou's skin. I hoped Celeste
was developing a vocabulary to describe a rich world full of color
and difference. And then one day, she said, "Mommy, I don't
like brown people."
I remember exactly where we were when she said this: in the car
waiting for the light to turn at one of the major avenues that intersect
our neighborhood, leading, on either side, through portions of devastated
central city. There were two African-American women waiting at the
bus stop there, bundled against the bright but chilly fall day and,
I imagined, ongoing affronts from every single white person, four-year-olds
on up.
"Why not?" I asked.
"I don't know," she replied. "I just don't."
"You know, sweetie, skin color really doesn't change what
a person is like on the inside."
Silence.
Five hundred years of lies and history hung in the air at that
moment. I wanted to convey just a fraction of that history to Celeste,
without losing her attention. I wanted to explain to her that race
is something invented to keep us apart as humans. But most of all,
I wanted to avoid shaming her out of talking about race. So many
white people blush at the thought of distinguishing between a light
brown and a deep black person, assuming that any mention of color
is something bad. These same people may harbor deeply racist feelings,
but they can't talk about them, and so they assume they're not racists.
So I didn't say any more just then.
Mulling it over in the weeks that followed, I could see that Celeste
was in the process of learning race, learning racism. Little kids
are astute students of the world around them. She had practiced
the catechism of gender difference as a toddler. Now, as a preschooler,
she was moving on to race. Which is a little harder, because the
people she is around aren't as clear about what race means as they
are about what gender is.
We live in a mostly white
world within an integrated neighborhood. One day, Celeste and I
were playing in her friend Milo's yard. Celeste and Milo wanted
to go for a walk around the block, so we started down the street.
Milo's father, Drake, accompanied us down the block a while, and
then turned for home.
"I'm going to go
home now, Milo," he said. "Eric is working in the house,
and I know he would be uncomfortable if I left him there
alone for too long." He winked broadly at us. While I was used
to Drake's basic, sexist assumption that I'd take up his slack in
childcare without his having to ask, the coded racial politics of
that wink astonished me. It isn't that I don't share some of his
ambivalence about Eric. Maybe I was shocked by his confidence, by
his sharing that ambivalence in front of our kids.
The white adults in this
neighborhood rarely talk about race explicitly. There are certain
assumptions made, so that we can talk about race without mentioning
anything about people or color. People leave the neighborhood because
they are "just tired of putting up with it",
despite the sweeping avenues, the friendships, and the grand but
inexpensive homes. "It" stands in for the property
crimes associated with life in the city, whether we have experienced
them or just fear them, and the substandard, majority Black schools.
"It" is also a broader, related feeling of somehow
being under siege. Even though white families generally move here
with more financial resources than our African-American neighbors
have, even though we live in a culture that is strongly white supremacist,
there is a feeling of being a minority in the Old West End.
Some white neighbors
voiced this feeling of being under siege during a campaign to build
a playground at the local elementary school. One woman, a mother
of two, was afraid that the playground would become a place for
children and adolescents to hang out. She testified about the noise
she endured already as a result of living across the street from
the school. Later, she organized opposition to the playground on
the grounds that it would create crime in the area, and subsequently
moved to an exclusively white neighborhood when it was built. As
it happened, she moved across the street from good friends of ours.
Having spent a lot of time in our friends' front yard with packs
of yelling children, I can say with confidence that her new neighborhood
is, in fact, much noisier than the one she left. What she was really
talking about, of course, was her feelings about Black people. But
I don't remember her ever broaching the topic during the long campaign
over whether to build that playground.
Celeste didn't accompany
me to those meetings. But she has grown up around adults, who talk
about race all the time without mentioning it. And, like all kids,
she is a careful student of what adults say, even when we are not
saying it.
When kids learn about
gender, they learn the intricate system of differences that gives
anatomy meaning in our culture. But, even though there are people
in our lives that I consider sexist, even fairly misogynistic, Celeste
she is consistently exposed to both men and women, and consistently
told that many of these individuals are valuable, loveable, and
important.
Her education about race
has been different. We have a few friends of color in Toledo, a
couple more who live far away and visit. I'm talking about six or
seven people, total. And while she is definitely told that those
friends are valuable, loveable, and important, they are few and
far between. Almost all of the adults we know would say, if asked,
something like what I said the day she told me she did not like
brown people: "race doesn't matter." And yet, in our daily
choices, race matters very much.
I began to think that
Celeste's talking about "brown people" was part of her
articulating, in a characteristically uncensored four-year-old way,
a widespread, white common sense about race that she was in the
process of learning. Her backseat racism was the tip of an iceberg
that, I was confident, she would learn to bury under polite speech.
But I was afraid that she would not unlearn the feelings of fear
and dislike for people of color. If Celeste was in the process of
imbibing a racism that surrounded her, anchored by strong historical
and local roots, how could she unlearn it.
As Celeste was in her
second year at the Montessori school in Toledo, Ben and I accepted
job offers in Milwaukee, a city with a racial and economic profile
in many ways similar to Toledo. Indices of segregation and urban
poverty are high in both cities; the public schools are weighted
down with aging buildings and low teacher- student ratios, burdened
by high-stakes testing and starved by continual budget cuts. Close
to the university where we would teach, our new neighborhood was
far less diverse than Toledo's Old West End. But the East Side of
Milwaukee comes with an integrated, majority-Black public primary
school that we could walk Celeste to every morning.
I had to enroll Celeste
in school in Milwaukee from Toledo, as I was pregnant the winter
before we moved. As I researched our options from afar, it became
clear to me that the school, once a neighborhood school and now
a city-wide magnet, was an unusual place. Its description in the
public school handbook emphasized a commitment to the arts and social
justice. I talked to white and Black parents who spoke of their
kids' good experiences there. They spoke of links to the university,
about committed teachers, and a visionary principal.
I was delighted that
Celeste could attend an integrated public school blocks from our
house and workplace. But I was also terrified of it. How would she
fare in an urban school where rules are, of necessity, emphasized;
where students line up to go to class or walk through the hall?
What would it be like for her to be in the minority? My basic assumption
is that the task of grade school is to make kids like school: what
if her new school prepared her to hate and fear it?
The first time we saw
the Hartford University School was in the early spring of that year,
new baby Sylvie in tow. Celeste was already enrolled there, and
we were there to meet the principal and tour the place.
The school hunkers on
a corner block in the midst of the university campus. It's a big,
dark, brick building, left over from a time when elementary schools
looked like the factories that most kids left them to work in. The
school building is surrounded by asphalt playgrounds and chain-link
fences. It looked so unlike the Montessori school, which was low
and new, with flowers planted by each classroom growing outside
it.
We pulled into the school
parking lot, which shares the asphalt with basketball hoops and
a small playground. A few middle school kids were shooting hoops
in the cold. "Mommy," said Celeste urgently from the back
seat. "This can't be my school! Everyone is brown."
"Well, sweetie.
Let's go in and see it, OK?" I tried to sound reassuring, but
my throat felt tight.
We went up the stairs
and met the principal, Cynthia Ellwood, a dynamic and attractive
white woman, in her sunny office. Hartford smells like a school:
like cleaning fluid and missing home and tons of kids laughing,
all at the same time. We toured the school, with Cynthia greeting
each student by name. Celeste liked all the art in the hallway;
and, especially, the water fountains.
But I wondered. In contrast
to her old school, the new school was predominantly Black, with
a few white, Asian, and Latino students sprinkled in each classroom.
That day, I counted at most two kids per class that were not African-American.
Did those other kids feel besieged? Were they picked on? How would
Celeste do in a public school where kids march through the hallways
in line to the cafeteria, instead of sitting at small tables in
their classroom?
I talked to Cynthia who,
as principal, who was used to calming the fears of anxious parents.
These were unusual conversations among white people, in that we
addressed race and my fears about it directly. "She's your
child," she said. "You should do what your intuition tells
you is best for her. Of course, as another parent I was touring
with last week said, your intuition may be derailed by your underlying
assumptions about race."
And there it is. There
are lots of things I know intellectually about race and justice;
there is my strong desire to have Celeste grow up in an integrated
community. Then there is the work of parenting, which I do almost
entirely by feel. I felt at that moment a clutching fear for her
that, at the same time, I didn't trust. I decided to assume that
Cynthia was right, that my intuition in this situation was derailed
by something else: my own, deeply held, racism. And that racism
was what Celeste had been studying, all this time.
Not that there aren't
serious issues that come with an urban public school. In the Milwaukee
Public School system, the student-teacher ratio is officially 30:1;
in practice, it is often closer to 40:1. At Hartford, along with
some of the other grade schools in MPS, there is special funding
to keep this ratio at 30:2 before 4th grade. Six blocks north of
us, the suburban schools of Shorewood sport ratios closer to 20:1.
These inequalities between
MPS and suburban schools, of course, have everything to do with
a seemingly intractable cycle. Public schools are funded by property
taxes. Central cities have lower tax bases, and fewer resources.
As a result, many people who could support city schools with their
tax dollars and their investment in the system flee to the suburbs.
In our neighborhood, many people go to extraordinary lengths to
keep their kids out of public school, opting for charter or private
schools, driving miles away. Few of the people we met in the park
or out strolling the summer before Celeste started at Hartford sent
their children there, though many adults remembered having gone
to it years before, "when it was the neighborhood school."
Hartford is still in the neighborhood, but it is widely perceived
as no longer a school appropriate for middle class, white, East
Side kids.
I was very torn about
this decision. I liked Cynthia immediately, and I believe in what
she is doing at Hartford. But I also do not believe in having my
kids act out my intellectual politics. I don't want Celeste to suffer
because of the social inequalities that surround us. I don't want
her to be the only white kid in a sea of non-white faces; I don't
want her to feel alone and scared in a towering institution.
A lot of conversations
and some sleepless nights on my part later, Ben and I decided to
stick with the decision to send Celeste to Hartford. I have watched
carefully to see how she is making the transition from Toledo in
general, and to school in particular. And I can only describe her
as thriving there.
She seemed initially
happy day to day. By late fall, the astounding leaps of learning
that I had observed the previous year at the Montessori, had picked
back up, and she was chatting merrily about letters, starting to
sound out street signs. At her fifth birthday, in October, she invited
her new friends from school to a party at our house. Almost all
of them were white. But by early winter, she was requesting play
dates with kids outside of this circle, and some of these friendships
were with Black kids.
Right before Christmas
break, there was an incident at school that, initially, confirmed
some of my worst fears. I got a call at my office in the late morning
that Celeste was crying uncontrollably, and I should come pick her
up. When I got there, the teacher's aid told me that someone had
teased her at lunch and then she couldn't stop crying. Celeste was
very upset and complaining of a stomach ache, so I took her home.
As far as Ms Wilson,
the teacher's aid, could piece it together, Celeste had been sitting
in a different place than usual, away from her friends. A little
boy named Rodney had teased her, and then she had started crying
uncontrollably.
In the week that remained
of school, Celeste mostly wanted to stay home with Sylvie and Ben
and me. She would go to school only if we promised to pick her up
before lunch. Lunchtime is when the kindergarten students eat with
the first graders, and the teachers go on break. This translates
to a lot of noise, and the absence of adults to go to for reassurance.
After Christmas, I decided
to accompany Celeste to lunch, to help her get used to it again.
I don't think my presence helped her very much. It made her much
weepier, and she did not want me to leave when lunch was over. What
eventually helped her was the patience of her teacher, who skipped
her own lunch a few times to sit with the class, and the constancy
of her friends, who surrounded her. Going to lunch at Hartford did
help me, though. I realized that I had somehow come to imagine Rodney
as a dangerous kid, a five-year-old, possibly violent, gang-banger.
At lunchtime the day I went, he was the other kid besides Celeste
crying for his mom, who is often in the classroom to pick him up
early. Quite a contrast with what I had, unconsciously, begun to
imagine Celeste confronting at school!
I have not heard Celeste
talk about the issue of color as a negative thing about Hartford
since our first tour. I think because it became for her, on that
day, her school. She can talk freely about the skin color of different
kids on the playground, something few white people I know can do.
She now addresses all around our neighborhood, who ask her constantly
in a somewhat surprised tone how she likes Hartford. "It's
the school for me!," she says emphatically. We ask her so much
that I sometimes wonder if she will learn to assume that something
must be wrong. Hopefully, she will instead learn to assign the repeated
questions to the category of ridiculous things that adults do.
Sometimes, though, when
we walk north to play in the new and ample playgrounds of the suburban
grade school in Shorewood, I wonder if I am taking something away
from Celeste. I look at that school. The building is older, like
Hartford, but it has been rehab-ed and landscaped. Flowers and hedges
intersperse four large play areas with state-of-the-art equipment.
It's a wonderful place to spend a spring afternoon.
And I feel like I am
buffeted between two ideas of the public. On the one hand, there
is my older idea, rooted in a social vision of equality that holds
out to Celeste and Sylvie the possibility of living in a world with
lots of different people, and learning from all of them. In this
idea of the public, we are all in it together- rich people, poor
people, upper middle class; Black, white, Latino, Asian, American
Indian. Our physical plant, like the one at Hartford, is overused
and antiquated, but we clash and differ and figure it out together.
Our children are loved and protected, and they learn from one and
other, much as Celeste has learned from her friends to deal with
the noise and chaos of public school lunchtime. In this public,
our strength is diversity, and the creativity and good will that
come with it.
My other idea is, I think,
a historically newer one. It emanates from twenty-five years of
savage war against the older idea of collectivity and diversity.
During these twenty-five years, funding for public education has
been repeatedly, cruelly, cut. Many schools in the Milwaukee Public
School system do not have the arts and music curriculum that Hartford
does. Cynthia writes grants to get private funding for these.
Fleeing the battered
and besieged public, many people have invented a different idea
of the public. The most extreme example of what I would call the
sheltering public might be gated communities, which have public
spaces within them that are carefully maintained for only a select
few. Like the Shorewood school building, this public is carefully
trimmed and pruned; children are sheltered and taken care of. In
many ways, in this second idea of the public, children need to be
sheltered from the rundown diversity of the other public.
This sheltering public nurtures and protects children with small
class sizes, extra-curricular activities, pedagogies that inspire
twenty kids rather than disciplining forty of them. Who wouldn't
want their child cosseted in such an environment?
Thing is, this cozy and caring public is also remote. It can only
be called public by dint of unequal tax dollars, residential segregation,
and increasingly inequality. While the schools of Shorewood are
public schools, such plush environments are not open to everyone.
And I want both experiences
of the public for my kids -- the nurturing public and the diverse
one. Thing is, they are pretty much mutually exclusive at this point.
You live in the city, you get the rundown public schools; you move
to the suburbs and suddenly your grade school has marigolds growing
outside it. An older idea of the public might have offered small
class sizes and nurturing pedagogies to every child -- a real
No Child Left Behind policy -- but ours discriminates. And
that injustice informs every decision we make about educating our
children.
I read over this essay
and see that it is anchored by the central figures of Eric and Hartford
University School. So in trying to figure out how Celeste and other
kids like her learn about race, I have spent a lot of time talking
about a Black man who is one or two steps away from being homeless,
and an urban public school that flourishes despite being, always,
one or two steps away from the grave consequences of budget shortfalls.
These two figures signal the difficult historical moment that our
children pass through on their ways to being educated about the
world and its inequalities.
mmo
: november 2005
Rachel
Ida Buff writes, teaches history and Ethnic Studies, and
lives with her partner, two daughters and four cats in Milwaukee,
Wisconsin.
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